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This is the original photograph taken by Judy in Banff National Park, Canada in 2009 |
Thursday, May 9, 2019
Foggy Mountain with Trees
Saturday, January 5, 2019
Glacier Lake
Completed January 3, 2019 |
This photo, taken by Judy in July of 2009 at Lake Moraine near Banff, Canada was the inspiration. The deep turquoise lake was fascinating. |
This was the other photo of inspiration...taken in July, 2009 at Lake Josephine in Glacier National Park. |
This was the cloned photo used as a reference. |
Began blocking it out in January, 2016. |
January 9, 2016 |
Feb. 18, 2016. I decided to take some liberties and added some dramatic peaks and clouds AND a glacier. |
March 3, 2016 |
Toned down the peaks and dark clouds and added some golden orange aspens and subtle waterfalls. April 5th. |
This is how it looked on May 26, 2016 and how it remained for over 2 years. |
It took me a while to figure out what to do. Ended up softening the peaks and clouds with some foggy mist. Decided the aspens weren't an element that worked. |
Thursday, December 10, 2015
Practice...
I have started taking painting lessons to "brush up" on my skills, since I haven't painted in over a year. These are some of my "practice" exercises. They were each completed in about three hours.
Self portrait done in a "wipe out" technique using greenish umber. |
Still life of different metals. |
Pumpkin still life |
My first try at a horse portrait. This one is done in the "loose" style of Carolyn Anderson. It is a Mangalarga Marchador stallion. |
Friday, February 28, 2014
Johnston Canyon Waterfall
This one is now completed and framed. 24" x 36". Frame was purchased at Bev's in Ogden, Utah. Giclees are not planned, but could be ordered. The price would be around $250-$300. |
Johnston Canyon Waterfall....24" x 36" oil on board
February 22, 2014...about 90% completed. |
Here are a few photos of the background of creating this piece.
Here is the original photograph taken at Johnston Canyon, Banff, Alberta, Canada |
The photo was altered to remove the tree in the middle and touch up a few details. |
First blocking...March 5, 2013....It was then set aside for about 8 months. |
December 24, 2013, after a few more days of work. |
December 27, 2013, a little more work |
February 1, 2014 |
February 3, 2014...added some rocky features in the foreground water. This painting is for sale, inquire about price. |
Wednesday, March 14, 2012
Raspberry Leaves
The original photo for inspiration |
Just beginning, April, 2011 |
December, 2011 |
January, 2012 |
This is a photo taken in North Fork (near Ogden, Utah) that we used as a reference to add trees and a mountain view to the upper right corner of the painting. |
This is the "overlay" of the North Fork photo onto the painting, which I used to paint the details. |
I also used this "overlay" of another photograph to create a reference for adding more trees. |
99% Finished, February 14, 2013. Notice the additional detail on the trees and I touched up a few other places. |
Friday, February 11, 2011
Canadian Rockies Storm
Sunday, January 2, 2011
Deer Valley Path
Friday, December 24, 2010
Canadian Fuchsias
Here is one of the latest "quick" impressions. Canadian Fuchsias...it is 8 x 10 oil on canvas For Sale for $550 framed.
Here is the photo by Judy that inspired it. These fuchsias were in a hanging basket at a lodge at Emerald Lake in Yoho NP, British Columbia. Judy was intrigued by the intense colors and interesting shapes.
Won honorable mention at Palette Club show |
Friday, July 30, 2010
Last Chance Desert
Lily & Petunias
Thursday, July 8, 2010
Workshop Learning
In June, I had the opportunity to receive portraiture training from Carolyn Anderson at a workshop in Jackson Hole, Wyoming. It was intense. I was very discouraged after the first day, and considered coming home. Of the 24 artists in attendance, I had the fewest skills, by far.
This first painting is done from a live model (as all were, except the one of the two cousins).
Here, she looks dead. She looks flat and colorless. Real faces are neither. The risk or difficulty of painting a portrait is, we all know what faces look like. We think. I found out I didn't. I had no idea a face had so much color in it, for example. This portrait was embarrassing to me.
So, on day two, I tried again. I failed, miserably. I scraped off the paint, set this one aside, and tried again.
And this portrait came of the second attempt. This is much better than the first portrait of the young lady, I think.
Day three. After another demo, I tried this young girl. She is twelve, but had the patience to sit for three hours for us (with breaks). There are things about this one that show additional progress on my part such as the absence of hard edges. Now I figured I didn't have to go home, but was learning.
This first painting is done from a live model (as all were, except the one of the two cousins).
Here, she looks dead. She looks flat and colorless. Real faces are neither. The risk or difficulty of painting a portrait is, we all know what faces look like. We think. I found out I didn't. I had no idea a face had so much color in it, for example. This portrait was embarrassing to me.
So, on day two, I tried again. I failed, miserably. I scraped off the paint, set this one aside, and tried again.
And this portrait came of the second attempt. This is much better than the first portrait of the young lady, I think.
Day three. After another demo, I tried this young girl. She is twelve, but had the patience to sit for three hours for us (with breaks). There are things about this one that show additional progress on my part such as the absence of hard edges. Now I figured I didn't have to go home, but was learning.
Painting from a photo instead of a model. The temptation is to reproduce the photo. That will not be a portrait, but simply a reproduction. The two cousins here are two of my grandaughters. I focused on not trying to copy the photo, but on trying to get the feeling of love across these two girls have for each other, the warmth of the day, and the summer sunlight. I like this one.
Last day. The model is a young lady in her early twenties. Try as I could, I could not get the painting to look very feminine to me, though in real life she was beautifully feminine. The portrait, however, looks masculine to me. Interestingly, all the artists using this model had portraits looking more or less masculine, too. She did seem to be a strong young lady, neither slender or weak in appearance. I am not sure what happened in my mind with this one. Or rather what happened between my eyes, my brain, and my hands.
Last day. The model is a young lady in her early twenties. Try as I could, I could not get the painting to look very feminine to me, though in real life she was beautifully feminine. The portrait, however, looks masculine to me. Interestingly, all the artists using this model had portraits looking more or less masculine, too. She did seem to be a strong young lady, neither slender or weak in appearance. I am not sure what happened in my mind with this one. Or rather what happened between my eyes, my brain, and my hands.
With this small taste of portraiture, I have to conclude I like it afterall. But I have much to learn. Much to learn. Anyone want to volunteer to model?
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